What are 'Borderlands Narratives'?

Narratives are stories: stories we hear, stories we tell others, stories we tell ourselves. Sometimes these stories are old ones, and may sound familiar. Sometimes these stories are brand new, stories that have emerged in our own lifetimes. The stories we will discuss on this site are stories of and about the Mexican-U.S. borderlands, that frontier zone in which people live, work, and play. We will be responding to our sources and to each other's views on this site, and we invite YOU to join us in our discussions and explorations.

A disclaimer: We are not experts! In addition to reading (or viewing) this collection of narratives for the first time, we are all in the process of learning about this unique cultural space and its history. Please use caution when reading OUR narratives, and make sure to cite us: http://www.borderlandsnarratives.blogspot.com/

This blog has been constucted by Professor Geneva M. Gano's American Studies class at Indiana University, Bloomington, in Spring 2010 and Spring 2011. Responses to our posts are welcomed!

Tuesday, January 26, 2010

Robinson Jeffers' poem, "New Mexico Mountain"

Like D.H. Lawrence, the well-known American poet Robinson Jeffers was invited to Taos, NM, by the wealthy ex-socialite, Mabel Dodge Luhan. She wanted him to write the "spirit of place" of New Mexico. Jeffers, however, only wrote one poem about New Mexico, which also happens to be the only one he wrote about living Native Americans. As this poem indicates, his response to New Mexico and its Indians was not exactly what Mabel Dodge Luhan was hoping for.

"New Mexico Mountain"

I watch the Indians dancing to help the young corn at Taos pueblo. The old men squat in a ring
And make the song. The young women with fat bare arms, and a few shame-faced young men, shuffle the dance.

The lean-muscled young men are naked to the narrow loins, their breasts and backs daubed with white clay,
Two eagle-feathers plume the black heads. They dance with reluctance, they are growing civilized; the old men persuade them.

Only the drum is confident, it thinks the world has not changed; the beating heart, the simplest of rhythms,
It thinks the world has not changed at all; it is only a dreamer, a brainless heart, the drum has no eyes.

These tourists have eyes, the hundred watching the dance, white Americans, hungrily too, with reverence, not laughter;
Pilgrims from civilization, anxiously seeking beauty, religion, poetry; pilgrims from the vacuum.

People from cities, anxious to be human again. Poor show how they suck you empty! The Indians are emptied,
And certainly there was never religion enough, nor beauty nor poetry here... to fill Americans.

Only the drum is confident, it thinks the world has not changed. Apparently only myself and the strong
Tribal drum, and that rockhead of Taos mountain, remember that civilization is a transient sickness.

1 comment:

  1. Really interesting lecture-definitely brought a lot of light to the readings for today. I had no idea that there was a tourist economy built around this. I think it has really interesting to consider this an after affect of colonialism/conquering of the Native Americans...You can see the "conquering" theme over and over in the Hopi Snake Dance piece.

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